I am on a mission to see some of my photography equipment that I don’t use. This includes three plastic cameras: Holga 120, Holga135 and Lubitel 120. Much to my surprise I found a partially shot 120 roll in the Holga. I shot the rest of the roll and then developed it. I ended up selling all three for $20 on Ebay. It was afterwards that I scanned the negatives and wondered if I should have held the Holga back from the sale?
The person who bought the three cameras said he was into unusual photography so he should be happy.
Recently I’ve had the chance to shoot more of this film. It is an interesting film in that it has two sensitized layers - one with Silver Bromide and the other Silver Iodide. This is said to give it more latitude when shooting it. Nominally it is an ISO 400 film. In my attempts the grain is fairly large at 400 and not as noticeable if shot at 100 . This tendency is found in other films as well - faster you shoot the larger the grain. I wonder if this two sensitized layer also adds to this disparity?
These shots were all shot at ISO 400 and developed HC110B for 9 minutes. These were shot at the Rocky Mountain Arsenal Wildlife Preserve
These next images all shot at ISO 100 developed Hc110B for 7 minutes.
The last couple of days shooting Pancro 400 and Foma Retropan 320 Soft I was seeing so much grain that I had to look at more standard stocks to reassure myself that I wasn’t doing something wrong in the processing!
No, it’s just that I now know which film stocks that I use can produce huge grain and which are not so grainy. Several reviews suggested that the author really like the grain as it spoke to them as an old school emulsion.
Trying a new film - Foma Retropan 320 Soft. Foma is made in the Czech Republic. They have formulated the film to have a soft look. Grain is noticeable and to me it gives a glow to objects similar to Infra Red film. I wanted to try this film but couldn’t single rolls but I found 100ft at B and H so that’s what I did. They recommend using their proprietary Retropan Special developer which I used on the 2nd roll. I rated it at 400 cuz it’s easier to set some cameras to 400. I stretched the developing time to 6 min instead of the 4-5 min.
It won’t be my go to film but it has a certain look that can be appealing.
The 1 star gallery is my gallery of photos entered into contests but not purchased. I am happy that some of my work has been selected to show but it would also be nice if they were purchased. That being said the 1 star gallery is now showing:
I’ve needed to get in shape for the Summer’s activities. My endurance has not been good, my back hurts and I put on too much weight during COVID. Fortunately the solution to all three problems is walking. Everyday I go on a walk somewhere. I try to get in at least 1 mile but I’m not always successful. Here’s my latest effort at the Van Bibber Open Space in Arvada, CO
I take a camera with me - today was not very fruitful but I did capture this on the trail
A couple of funny things - first up Matt Goetz the dumb ass congressman
Next is a portion of a questionnaire that Northwestern sent to me. I admit I’m from a backwards generation but all this sexual identity has left me in the dust. So I replied in the only way I know how to:
Spent Saturday down in Colorado Springs. I was going to go to the Pioneer Museum and then look around at the old neighborhoods. But then my brother called saying that they were still in Colorado Springs so we met for lunch at Edelweiss German Restaurant which is always good.
The Pioneer Museum had a special exhibit about the 150 years of Colorado Springs using artifacts for all decades. I was especially interested in reading about The Cotton Club that was a multi -racial nite club when this wasn’t done. Fannie Mae Duncan made it happen with her motto of “Everybody Welcome”.
From one of my photo friends I learned about a park East of Denver in Aurora dedicated to slain Ukrainian Jews during the first part of WWII. It’s called Babi Yar. I thought it would be appropriate on Good Friday to visit the park.
Babi Yar, also spelled Babiy Yar or Baby Yar, large ravine on the northern edge of the city of Kiev in Ukraine, the site of a mass grave of victims, mostly Jews, whom Nazi German SS squads killed between 1941 and 1943. After the initial massacre of Jews, Babi Yar remained in use as an execution site for Soviet prisoners of war and for Roma (Gypsies) as well as for Jews. Soviet accounts after the war speak of 100,000 dead. The true number may never be known. Babi Yar became the symbol of the first stage of killing during the Holocaust and of the massacres by the Einsatzgruppen (German: “deployment groups”)—the mobile killing units.
The German army gained control of Kiev on September 19, 1941. Earlier that year, Adolf Hitler had ordered special SS squads to follow the regular army into the Soviet Union and to exterminate all Jews and Soviet officials. Moreover, a few days after the fall of Kiev, an explosion rocked the German command post in the city, killing many German soldiers and intensifying Nazi outrage toward the Jews, whom they wrongly blamed for the explosion. When SS troops entered the city, the Jews of Kiev were marked for destruction. On September 29 and 30, over a 36-hour period, nearly 34,000 Jews were marched in small groups to the outskirts of the city, stripped naked, and machine-gunned into the ravine, which was immediately covered over, with some of the victims still alive. Over the next two years the mass grave swelled with thousands of other victims, primarily Jews but also including Communist officials and Soviet prisoners of war. As the German armies retreated from the Soviet Union, the Nazis attempted to hide the evidence of the slaughter. Bulldozers were required to reopen the mounds. Bone-crushing machinery was brought to the scene. The bodies were piled on wooden logs, doused with gas and ignited. The flames of the pyres were seen in Kiev. When the work was done, most of the workers, prisoners who had been brought in from a nearby concentration camp, were killed. Under cover of darkness on September 29, 1943, a number of the prisoners attempted to escape, and some 15 survived to tell what they had seen.
The killings were described in detail by eyewitnesses and are vividly depicted in novels by Ilya Ehrenburg (The Storm; 1948) and Anatoly Kuznetsov (Babi Yar: A Documentary in the Form of a Novel; 1967), as well as in firsthand accounts by non-Jewish eyewitnesses in a work entitled “The Good Old Days”: The Holocaust as Seen by Its Perpetrators and Bystanders (1991; edited by Ernst Klee, Willi Dressen, and Volker Riess).
For 25 years after the war, the Soviet Union barely acknowledged Babi Yar. No memorial marked the site. In 1961, in protest against plans to build a sports stadium on the site, Yevgeny Yevtushenko, then a young Soviet poet, wrote a moving poem, Baby Yar, which begins
No gravestone stands on Baby Yar;
Only coarse earth heaped roughly on the gash:
Such dread comes over me.
A year later the poem was set to music by Dmitry Shostakovich as part of his choral 13th Symphony, first performed in Moscow in December 1962. Both Yevtushenko and Shostakovich were reprimanded for their “cosmopolitanism” by the Soviet authorities, who refused to acknowledge the special Jewish significance of a site where other Soviets had been killed.
A small obelisk was constructed at Babi Yar in 1966. In 1974 a 50-foot (15-metre) memorial statue was finally erected. Identification of the victims was vague; the word Jew was not used. Not until 1991, on the 50th anniversary of the Babi Yar massacres, was the identity of the victims recorded on the monument by the newly independent Ukrainian government.
A special dinner at Bistro Vendome for Vicki’s birthday happened last nite. It was also sponsored by Laws Whiskey a distillery here in Denver. The food was great - typical French cuisine - small portions but each serving was a spectacular creation. Here’s the menu
Unlike the next post ( actually posted before this one) I’ve documented my walk. Just like the weight scale I have a nervous distrust of the readings. This walk seemed like a real killer compared to my usual walks which are on the flat. But here it is in all it’s glory
Late breaking DATA just in…..
I tend to believe my walk was more than 1.1 miles - 1.9 seems about right.
These photos were taken on a 20 min. walk thru my neighborhood. I had purchased a used camera and needed to take some photos to verify that it worked. The camera is a bit unusual in that I bought it from someone in Japan and unfortunately it was incorrectly described to me when I bought it. This is the second time this has happened with a Japanese Ebay purchase - lessen finally learned. But because it’s a pain to ship it back I decided to keep it. Anyway it’s a Fujica ( Fujifilm) HD-P which means Heavy Duty - Panorama. It is water resistant to several meters. It is all mechanical and it uses zone focusing.
Anyway - back to the neighborhood - I just took photos of things seen along the way including a dead squirrel, remnants of snow, a truck loaded with hay - the owner Fred and I talked for a bit. He has 30 head of cattle in San Luis, Colorado - I’ve never been there but it’s the oldest continuously settled town in Colorado. I will have to put it on the bucket list of places to go.
Today the @librarycongress librarian Carla Hayden named ‘Bright Size Life’ among 25 selections as audio treasures worthy of preservation for all time based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage. #NatRecRegistry
“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”
The recordings most recently selected for the National Recording Registry bring the number of titles on the registry to 575, representing a small portion of the national library’s vast recorded sound collection of nearly 3 million items.
I have my brother Al Nitka to thank for introducing me to Pat Metheny who I’ve listened to ever since. This album came out in March, 1976 - right before I graduated college. I think it wasn’t until Winter of ‘76 that I went to a concert of his in Denver with Al. I thought that Metheny was European because his label ECM is German. It took a few years before I realized that he’s from Missouri ! Here is a clip from Beyond the Missouri Sky - a real gem
Ran across two connections to Central New York . The first one is a photo made by David Plowden of the Main Street in Cazenovia, NY. A street well know to anyone who has been to ‘Caz’
The 2nd one was a discovery of female photographer that was born in Syracuse in the 19th century but went onto fame in the 20th century. I had never heard of her but she was a very remarkable person. Therese Bonney
Ricoh RZ 1050 - I purchased this from Blue Moon Camera as ‘new old stock’ which means the camera is new but it’s from old stock - usually not being produced anymore. This one has that 90’s look of a crappy plastic designed for a forgotten style. While that may be true it does have a lot of nice features. Consumer Alert: do not ever buy this camera. I just got the negatives back and while there were some useful images the hit rate was really bad. It can’t focus worth a damn for anything closer than about 6 to 8 feet. Several of the negatives had side to side scratch - don’t know if it was the camera of the developer who is rather sketchy or should I say scratchy? I can’t really use this camera because I will never know what I’m gonna get. I did better with the Harman all plastic point and pray camera. At least I got 2 rolls of film and the camera for ~$25.